Learning | Montmartre

Montmarte's been on my mind lately, because of a few books I've been reading. You know Montmarte, the section of Paris with the Can Can dancers, artists, and Bohemian lifestyle at the end of the nineteenth century? The name conjures up visions of the Moulin Rouge, and Henri de Toulouse-Lautrec.

Toulouse-Lautrec. Image from page 9 of "Le peintre-graveur illustré : (xix et xx siècles)" (1906)
from the Internet Archive Book Images' photostream on  Flickr.com.
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The name Montmartre means "Mountain of the Martyr," referring to St. Denis, who is said to have been beheaded on this hill in 250 A.D. It's interesting to note that the older, Roman name for this place is Mons Martis (Mount of Mars.) Here's a YouTube video, with the English pronunciation of the word:
  

If you would prefer to say a French place name as the French do, you can visit Forvo.com to listen to French speakers speaking the word.

There's an amusing quote about pronunciation of Montmartre in C. Alan Bradley's latest mystery, As Chimney Sweepers Come to Dust: A Flavia de Luce Novel. Flavia described a facial characteristic that "can come only from speaking French from the cradle." She deduces which faculty member at her new school is the French teacher because of this trait; she supports her conclusion in a discussion of a woman in Bishop's Lacey, England. "She was from Montmartre, pronounced through the nose." 

Flavia says so many pithy things, that I probably would not have noticed the Montmartre reference, if I had not just finished reading a more macabre mystery. The Devil in Montmartre: a mystery in fin-de-siècle Paris by Gary Inbinder is a sometimes gruesome historical mystery. Toulouse-Lautrec is one of several suspects, which include Jack the Ripper and some international visitors. The characters include artists, art dealers/agents, writers, doctors, photographers, dancers, prostitutes, ragpickers and acrobats, to name a few categories.  The story takes place near the end of the Paris Exposition universelle de 1889. That was the World's Fair; the Eiffel Tower was created for the event. A young detective on the case tries to get his superiors to accept the use of fingerprints as evidence; he has read about them.  This case provides an opportunity to experiment with techniques for collecting fingerprints, and interpreting the results logically.  Look out for plot twists!

Since I'm on a Montmartre kick right now, I looked around for other historical mysteries related to the topic.  

Murder in Montmartre: an Aimee Leduc Investigation, by Cara Black is not available from SSJCPL's system, but I just requested this book through Link+. It's good to know there's another Aimee Leduc mystery that I have not yet read! I like this fast-paced series, which takes place in modern Paris. Aimee Leduc is a young private investigator with a computer-savvy partner. Because Paris has been around for so long, investigations often touch on objects or subjects which have a link to the past.

Learning | Matthew Shardlake Mysteries

Historical mysteries are so much fun. The history nerd in me loves learning details of life in days of yore, or comparing what I already know about a certain time period with the author's portrayal. The best authors of historical fiction (whether they write in the mystery genre or not) write with a certain authoritative quality that only comes from extensive research and study of a subject.

For example, take a look at the author of the Matthew Shardlake series. C. J. Sansom not only earned both a B. A. and a PhD in history--he became a solicitor after all of that. His sleuth, Matthew Shardlake, is a solicitor in Tudor England. Sansom's realistic depiction of daily life--and legal conflicts--during the reign of Henry VIII make these mysteries hard to put down.  

The following is the first paragraph from the third book in the Shardlake series, Sovereign:

"It was dark under the trees, only a little moonlight penetrating the half-bare branches. The ground was thick with fallen leaves; the horses' hooves made little sound and it was hard to tell whether we were still on the road. A wretched track, Barak had called it earlier, grumbling yet again about the wildness of the barbarian land I had brought him to. I had not replied for I was bone-tired, my poor back sore and my legs in their heavy riding boots as stiff as boards. I was worried, too, for the strange mission that now lay close ahead was weighing on my mind. I lifted a hand from the reins and felt in my coat pocket for the Archbishop's seal, fingering it like a talisman and remembering Cranmer's promise: 'This will be safe enough,there will be no danger.'" 

Shardlake has a hunchback, or crooked spine, which causes him physical pain, but also engenders ill will from people who believe that deformity is a sign of evil.  He is an intelligent,  erudite, perceptive gentleman.  It's interesting to watch his character change as the series progresses; he is much more naive and idealistic in the first book, Dissolution. He becomes increasingly wary of others' motives as he grows older.